an ode to the precious and some gemma doyle fangirling

my latest book haul!

my latest book haul!

books are such magical things. we can open them and be transported to new worlds, new times, and new adventures. we can laugh and cry and shake our fists along with our favorite characters, and we can fall in love and have our hearts broken with them, too. my ya gothic horror is on submission right now, and i’m in the midst of researching and drafting out my latest project to keep from obsessively checking emails from my agent. i’m also binge-reading a bunch of books and loving every second of this part of work. here are a few titles from my recent book haul that i’ve been super excited about reading.

A GREAT AND TERRIBLE BEAUTY – Libba Bray

ETIQUETTE AND ESPIONAGE – Gail Carriger

A COLD LEGACY – Megan Shepherd

RED QUEEN -Victoria Aveyard

omg the gemma doyle trilogy??? where has it been all my life. so. effing. good. i bought the other two books and am eagerly* awaiting their arrival. i cannot believe it’s taken me so long to get into them.

what debut are you most looking forward to? and what are some of your favorite creepy books? i need to add some more titles to my (ever) growing list!

*by eagerly awaiting i mean pacing back and forth, cursing the mail for being late, and breaking out into a cold, i-NEED-it-now sweat. the next step will be rocking in the corner and smacking my gums until the precious arrives. not pretty.

xx

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Query Letter Critique (YA Contemporary)

Original Query:

Almost fainting onstage should be a foolproof way to lose a battle of the bands. But seventeen-year-old singer Charlie’s sabotage backfires, and her all-girl band the Wretched Gretchens takes first place anyway. Cue the sappy “Hallelujah” music.

It’s not that Charlie wants her band to break up—she’s just sick of her stage persona being cooler than she is. With a mic in hand, Charlie’s a siren with Joan Jett’s pipes and Shakira’s hips. Offstage, she can’t even confess to Jonathan all her songs are about him.

When the Wretched Gretchens get a chance to play their first tour, Charlie sacrifices a summer with Jonathan to help her bandmates chase their dream of fame. Killer shows and rave reviews convince Charlie that dream could be hers, too—and, even scarier, it could come true.

Desperate to prove she can handle the rock star lifestyle, Charlie channels her inner Courtney Love offstage. Partying all night with hot musicians? Bring it. Fighting with her guitarist best friend as the band crumbles? Cake. Fast-forwarding her relationship with Jonathan beyond awkward smiling? Thrilling.

When a bad gig pushes Charlie away from the other Gretchens and back into her shell, she must decide if she can exist only as a Gretchen or be confident as just Charlie—without the backing of the band’s catchy hand-clap choruses.

RIP HER TO SHREDS is contemporary YA complete at 74,000 words and told from alternating perspectives of the four girls in the band. It will appeal to fans of Nina LaCour’s THE DISENCHANTMENTS and the film ALMOST FAMOUS.

Cheers,

Name Redacted

The Critique:

Dear Ms. Agent,

Almost fainting onstage should be a foolproof way to lose a battle of the bands. But seventeen-year-old singer Charlie’s sabotage backfires, and her all-girl band the Wretched Gretchens (the name isn’t necessary right here) takes first place anyway. Cue the sappy “Hallelujah” music. (This doesn’t really add anything or propel your query forward.)

It’s not that Charlie wants her band to break up—she’s just sick of her stage persona being cooler than she is. With a mic in hand, Charlie’s a siren with Joan Jett’s pipes and Shakira’s hips. Offstage, she can’t even confess to Jonathan all her songs are about him.

When the Wretched Gretchens get a chance to play their first tour (how?), Charlie sacrifices a summer with Jonathan to help her bandmates chase their dream of fame. Killer shows and rave reviews convince Charlie that dream could be hers, too—and, even scarier, it could come true. (How? Don’t be vague here, this will help the reader understand the stakes. Is there a potential record deal? A label coming to their show?)

Desperate to prove she can handle the rock star lifestyle, Charlie channels her inner Courtney Love offstage. Partying all night with hot musicians? Bring it. Fighting with her guitarist best friend as the band crumbles? Cake. Fast-forwarding her relationship with Jonathan beyond awkward smiling? Thrilling. (Wait…how is Jonathan here? In the previous paragraph you said she had to sacrifice a summer with him. I’m missing the connection to how she’d have to sacrifice, if he can tour with them.)

When a bad gig pushes Charlie away from the other Gretchens and back into her shell, she must decide if she can exist only as a Gretchen or be confident as just Charlie—without the backing of the band’s catchy hand-clap choruses. (But why would one bad show destroy her confidence, when technically, the battle of the bands was bad if she tried fainting? What is the catalyst that makes it SUCH a bad show that she’s retracing? I think strengthening that a teeny, tiny bit more will make a big difference.)

RIP HER TO SHREDS is contemporary YA complete at 74,000 words and told from alternating perspectives of the four girls in the band. It will appeal to fans of Nina LaCour’s THE DISENCHANTMENTS and the film ALMOST FAMOUS. (Perfect closing!)

Thank you for your time and consideration.

Cheers,

Name Redacted

The aftermath:

Let me start by saying I really like your voice…but…I’m not fully grasping what the actual stakes are here. Don’t get me wrong, it sounds like a good story and I totally get that she’s trying to find out who she is and become a confident, strong, girl..but what happens if she fails? What major choices does she have to make and how will that affect the people around her? I think beefing up some actual conflicts will help build the tension in the query. That’s really what’s missing.

In one way, there’s almost too much going on and the focus gets lost in the series of events that are listed. (Interesting as they are.) For example: We know there’s a battle of the bands and Charlie’s trying to sabotage it, and there’s something going on with Jonathan…then she’s on tour, and magically loving the rockstar lifestyle and partying and fighting and Jonathan is suddenly here and she’s making a move on him, then a bad gig happens and she falls apart. But those aren’t stakes, they’re kind of like a powerpoint presentation of mini conflicts.

What is the main focus of your story? What is the HUGE thing laying on the line? See if there’s a way for you to pick the BIG conflict and pull that out.

If there’s something at that bad gig that’s life-changing for everyone in the band – go into that! Tell us why that’s so important and why it’s so devastating when/if she screws it up. Is there an A&R person there, ready to sign them if the show goes well? Is there a music journalist that could write a review that’s a career changer/destroyer? 

What makes that the crucial turning point in your manuscript? I can already picture conflict for daysssssssss there. THAT is the conflict that needs to shine in your query. My god, my god, my god if Charlie messes ____ up it’s not only the dreams she’s come to desire, but all of her bandmates hopes that could be crushed FORVER. AND she could lose ________ as well. The tension and stakes are building simply by bringing your focus into a bull’s eye. 

Mini conflicts and subplots are great in books, we just need more core stuff in the blurb. Try leaving some of the smaller subplots (and list of events) out, get into the bad show part sooner, and show us what’s at stake.

Thank you so much for braving the query critique and for sharing your work on my blog! I really hope my notes are helpful and my goodness, this sounds like a fun read. Keep up the amazing work!!! 🙂

 

Query Critique (Non-fiction)

The Original Query:

Address

Address

Address

To Whom This May Concern,

GO BLOG YOURSELF!

What better way to showcase concrete research on blogging as a legit form of writing for students then to place it next to blog entries from the researcher, and teacher, herself?

My book, GO BLOG YOURSELF, would include entries from two of my blogs (a teaching blog and private blog, started in the spring of 2002) intermingled with chapters that include blogging research I’ve conducted over the years. Due to the recent nature of blogs this book would fill a much needed void of concrete research connected with blogs for academics, as well as attract recreational readers of blog and bloggers alike.

Through the process of becoming an Associate Professor (in North Dakota!), I’ve kept up with several blogs, and I’ve co-published an article* on blogging with Dr. X and Y, both professors at _____. In addition, I’ve taught using blogs (class blogs, too) since the spring of 2002 at NDSU and, currently, at the North Dakota State College of Science in Wahpeton, ND (a hour south of Fargo). Within the last few years, I’ve also given presentations on how blogging has worked in my classrooms.

I believe GO BLOG YOURSELF would be suitable for the ___ Corporation. Enclosed, you’ll find a Table of Contents and a sample chapter of GO BLOG YOURSELF. A SASE is included for your reply. Thank you for your time, and I look forward to hearing from you soon.

Sincerely,

*That article can be found here: (Redacted)

The Critique:

Address

Address

Address

To Whom This May Concern, Dear Ms. Agent, (Make sure you’re researching agents and personalizing your query letter. This is someone who’s going to (possibly) be your business partner, so include their name. I’m sure that you aren’t sending out letters “To Whom This May Concern” but for the purpose of the critiques, I have to point that out.)

GO BLOG YOURSELF! What better way to showcase concrete research on blogging as a legit form of writing for students then to place it next to blog entries from the researcher, and teacher, herself? (As an opening, this isn’t working for a couple of reasons. The first being it almost comes across as an “As Seen On TV” infomercial (sorry!). Yes, you want a sales pitch, but it doesn’t have to be over-the-top. Query letters, whether they are for fiction or non-fiction, should start with your hook. And in order to have a successful hook, you want to remove the question element altogether. STATE what this book is about and why it’s unique and why readers are going to pick it up. Here’s what I mean…let’s say you’re at a dinner party and your friend asks you what your book is about. You probably wouldn’t answer them with a question, you’d explain it in a sentence or two.)

My book, GO BLOG YOURSELF, would include entries from two of my blogs (a teaching blog and private blog, started in the spring of 2002) intermingled with chapters that include blogging research I’ve conducted over the years. Due to the recent nature (maybe insert what recent nature of blogs here, because leaving it so open-ended could mean anything. Are you talking about the recent downfall of blogs? The relevance of blogs? How blogs have changed/evolved? Don’t be afraid to spell it out – it’ll only take a word or two to clarify what you mean) of blogs this book would fill a much needed void of concrete research connected with blogs for academics (how?), as well as attract recreational readers of blogs and bloggers alike. (If it’s research about blogs for academics, why would it attract recreational blog readers?)

Through the process of becoming an Associate Professor (in North Dakota!) (Why is this here? It doesn’t add to your query, save the space for more pertinent information relating to your platform and what exactly your book is about. By this point, I’m still not sure who your target market is (Students? Teachers? Readers? Bloggers?) and what exactly your book is going to cover), I’ve kept up with several blogs (you’ve followed several blogs, or you personally keep several blogs? And if it’s blogs you just read, that’s not really telling the agent about your proposal. If this is the research part, how reliable are the sources?), and I’ve co-published an article* (This is one of those parts where you want to tell the agent your credits. Where was this published? National, local, print, academic journal, e-format? Don’t be vague with your credentials.) on blogging with Dr. X and Y, both professors at _____. In addition, I’ve taught using blogs (class blogs, too) since the spring of 2002 at NDSU and, currently, at the North Dakota State College of Science. in Wahpeton, ND(a hour south of Fargo) (Again, this is unnecessary, tell the agent more about why this book? Why you?) Within the last few years, I’ve also given presentations (How many? To whom?) on how blogging has worked in my classrooms. (How has blogging worked in your classrooms?)

I believe GO BLOG YOURSELF would be suitable for the ___ Corporation (Just one place? I thought from your opening it would appeal to students and bloggers and blog readers, too?). Enclosed, you’ll find a Table of Contents and a sample chapter of GO BLOG YOURSELF. (Make sure you’re researching agent guidelines; find out if the agent you are querying prefers JUST a query letter first. You can say “sample chapters are available upon request” if they don’t ask for material upfront.) A SASE is included for your reply. Thank you for your time, and I look forward to hearing from you soon.

Sincerely,

Your Name

*That article can be found here: (Redacted)

Okay, so here’s the thing: platform is an essential part of non-fiction. Yes, you mention you’ve got two blogs and have co-published an article, but the agent isn’t hearing about the numbers. Do you promote your blogs on social media? How many followers/subscribers/friends/fans do you have on twitter/blog(s)/facebook, etc. You’ve given presentations, that’s good! How many, and how many do you do a year? Are there opportunities for you to sell your books at these presentations? Are they local, national, etc.? This is your place to SHINE, talk yourself up.

Credentials and platform mixed with a great/unique idea are the basis of what you want to come across in this proposal. I can’t give a more in-depth critique like I can for fiction,  but I can give you a few questions to keep in mind while you’re crafting your next draft.

After reading this several times I’m still not entirely sure what your book is about. Yeah, it’s about blogging and blogging relating to academics (I think), but what exactly are you teaching the reader? How to make money at blogging? How to quit your job and blog full-time? How to grow readership? How to integrate blogs in the classroom?

You mention that it will not only appeal to students, but to bloggers (and readers of blogs) as well. Again, I still don’t know why, because I don’t know much about the book.

I think your title is catchy, and you’ve got a good voice – you just need to hone it into a streamlined pitch that’s CLEAR. You’re the expert on the subject, make sure you “show” your expertise.

Here’s what I’ve learned from my agent, basically you want to answer three questions:

Why you?

Why this book?

Why now?

The questions don’t have to be answered in that order, but they do need to be answered. Find a way to let your voice shine through authentically (without being forced  or over-the-top), and you’ll have a killer proposal. 

Here are some helpful links for non-fiction query letters that you can use as reference guides: (the people who wrote these have stellar advice and are much more in-the-know regarding successful non-fiction proposals.)

http://blog.nathanbransford.com/2007/02/how-to-write-nonfiction-book-proposal.html

http://bookendslitagency.blogspot.com/2009/03/nonfiction-query-sample.html

http://writenonfictionnow.com/how-to-write-a-query-letter-for-a-nonfiction-book/

http://kidlit.com/2011/07/11/how-to-write-a-non-fiction-query-letter/

MOST importantly: Thank you to this brave author for sharing their query with everyone. You are ten kinds of awesome, I mean it. Critiques are NEVER easy, but I *know* you are going to come up with a kick-butt pitch that’s going to land you some amazing requests. Good luck with this!

Query Critique

Original Query:

Dear (Agent),

Small-time thief, big-time troublemaker, Tristan Storey has been accused of a murder he didn’t commit. And is going to hang for it.

With a rope squeezed tightly around his neck, Tristan knows it’s the end, but just as his consciousness flickers, lightning tears down from the sky. It smashes the gallows, freeing the thief. Eager to cheat death, Tristan attempts his escape in the midst of the chaos, but instead of freedom, he is accidentally sucked into another dimension.

After smashing into the grassy plain on the other side of the portal, Tristan realizes someone else was pulled through: Vespa, the daughter of the man he “murdered.” Trapped in a foreign world, they have no choice but to work together, despite Vespa’s stubbornness and Tristan’s habit of saying the wrong thing—all the time.

This new world is ruled by an evil god who desperately desires the eternal soul dwelling within Vespa. And when his henchman fails to capture the girl, the man instead steals her memories.

Robbed of her past, Vespa’s future suddenly falls in the hands of Tristan who reluctantly embarks on a journey to recover her memories. Memories which hold the truth about Vespa and her true mother: the god of Earth.

The Eldritch Tales is YA fantasy, complete at 84,000 words and was a finalist in Critique My Novel‘s 2012 annual writing competition. It is the first novel in a planned trilogy.

Thank you for your time and consideration.

The Critique:

Dear Ms. (Agent),

Small-time thief, big-time troublemaker, Tristan Storey has been accused of a murder he didn’t commit. And is going to hang for it. (How old is he? We find out it’s YA at the end, but you want to ground the reader (agent) in what kind of book you’ve written up-front. That can be fixed easily by adding: Small-time thief, big-time troublemaker, seventeen-year-old…etc. Also! You can tighten this and make it more present by moving a few words around. Ex: Seventeen-year-old small-time thief, big-time troublemaker, Tristan Storey, is about to hang for a murder he didn’t commit.)

With a rope squeezed tightly around his neck, Tristan knows it’s the end, but just as his consciousness flickers, lightning tears down from the sky. It smashes the gallows, freeing the thief. (This can also be condensed a bit for more impact. It’s a wordy way of continuing to talk about Tristan’s hanging when the reader should be thrust into the action/conflict faster. So far we’ve read a lot about the stuff that happens BEFORE the action. Since most of the conflict occurs after this, flesh that out more.) Eager to cheat death, Tristan attempts his escape in the midst of the chaos, but instead of freedom, he is accidentally sucked into another dimension.

After smashing into the grassy plain (this is unnecessary) On the other side of the portal, Tristan realizes someone else was pulled through: Vespa, the daughter of the man he “murdered.” Trapped in a foreign world (since they were sucked through a portal, the “foreign world” part is assumed. You can cut this extra info so you have more wordage to add to the conflict and obstacles) they have no choice but to work together (by saying “they are forced to work together” it conveys the same message and chops extraneous words), despite Vespa’s stubbornness and Tristan’s habit of saying the wrong thing—all the time.

This new world is ruled by an evil god who desperately desires the eternal soul dwelling within Vespa. And When his henchman fails to capture the girl, the man instead steals her memories. (Who steals her memories? The henchman or the evil god? It’s a little unclear. A fast way to fix that is like this: When a henchman fails to capture the girl, he steals her memories instead. Or better yet, do we need to know the henchman steals her memories? It might be best to remove that element completely to avoid character soup.)

Robbed of her past, Vespa’s future suddenly falls in the hands of Tristan who reluctantly embarks on a journey to recover her memories. Memories which hold the truth about Vespa and her true mother: the god(dess) of Earth. (What conflict does that pose for the evil god? We need a little something here about why the evil god wants her and what the consequence will be if he succeeds. What are the stakes or choices? Will capturing her soul destroy their world?)

The Eldritch Tales is YA fantasy, complete at 84,000 words and was a finalist in Critique My Novel‘s 2012 annual writing competition. It is the first novel in a planned trilogy. (Good ending. One minor tweak; I would say that it’s a stand alone with series potential.)

Thank you for your time and consideration. (Perfect!)

Your Name

Phone Number

Email

Other Contact Info/Website/Etc.

A couple of nitpick-y things: Be aware of using too many words that end in “ly”, there are quite a few that are “telling” instead of showing. I.e. Tightly, accidentally, desperately, suddenly, reluctantly, etc. It’s okay to use some – just know that for a short blurb they start to stand out when they aren’t necessary.

The Aftermath:

Dear Ms. Agent,

Small-time thief, big-time troublemaker, seventeen-year-old Tristan Storey, is about to hang for a murder he didn’t commit.

Just as his consciousness flickers, lightning tears down from the sky, smashing the gallows and freeing him. While attempting escape in the midst of the chaos, he’s accidentally sucked into another dimension.

On the other side of the portal, Tristan realizes someone else was pulled through: Vespa, the daughter of the man he “murdered.” Trapped, they are forced to work together despite Vespa’s stubbornness and Tristan’s habit of saying the wrong thing—all the time.

This new world is ruled by an evil god who desires the eternal soul dwelling within Vespa. When his plan of capturing the girl fails, he steals her memories instead. Robbed of her past, Vespa’s future falls in the hands of Tristan who reluctantly embarks on a journey to recover her memories. Memories which hold the truth about Vespa and her true mother: the goddess of Earth.

The Eldritch Tales is YA fantasy, complete at 84,000 words and was a finalist in Critique My Novel‘s 2012 annual writing competition. It’s a stand alone with series potential.

Thank you for your time and consideration.

Your Name

Okay…so with this condensed version, you now have extra word space to flesh out the conflict and choices the characters face once they are in the other world MORE. Don’t be afraid to lay the stakes out there for the agent. 

Thanks so much for sharing your query and for letting me dig my little fingers in. Your book sounds like a really fun read, and the query has a great voice!

Special Post: Ask an agent ANYthing and Harper is open to unagented submissions!

A couple of amazing things I had to share with my fellow writing friends…

If you’ve ever wanted an opportunity to ask a literary agent ANY question regarding publishing – now’s your chance! My agent (Barbara Poelle) is doing a monthly column for Writers Digest where she’ll be answering questions from YOU.

No writing/publishing question is off limits. (Unless you’re especially pervy. Then shame on you, Pervy McPervy Pants.)

If you’re uncomfortable with using your real name, Sleepless in Seattle’s are welcome. Or, you know…the more writerly version of that.

If you have something you’d like answered honestly, with good humor and spot on industry info, then direct your questions to:

writersdigest [at] fwmedia [dot] com with “Funny You Should Ask” in the subject line.

I can vouch 1,000% for how awesome Barbara is.

Here’s part of the announcement from Writers Digest itself:

Have you ever wished you could get advice on your writing life, your pursuit of publication, and everything in between, from an expert source would tell it to you straight, with good humor and grace?

So have we! That’s why we’re excited to announce WD’s new advice column, “Funny You Should Ask,” in which popular literary agent Barbara Poelle—known for her knack for spotting debut talent at Irene Goodman Literary Agency as well as for her approachable, refreshingly honest and sometimes irreverent style of instructing writers—will begin tackling your toughest problems and offering up her best advice for writers in the pages of Writer’s Digest magazine.

For the full article and extra details CLICK HERE.

On to the second bit of writerly awesome! Harper Voyager is going to be open to unagented submissions for the first time in a decade!!! The window to submit your work is only going to be from October 1st-14th.

(That’s starting THIS Monday, kids.)

For submission guidelines check out the link HERE.

 

Lastly, I finally joined tumblr last week. And guys, I’m kinda addicted. If you’re there and want to hang out and share things or ask me questions about writing, or publishing, or kittens, or of I’m team X,Y or Z…here’s where you can find me: http://kerrimaniscalco.tumblr.com/

 

Lots of Sparkly Things Happening…

This post is going to be a little different because there are a few things happening around the interwebs that writers (and readers) might be interested in. I LOVE helping my peoples out when I can, so here you go!

1. There’s a new agent at my agency! *throws confetti*

Here are some deets:

Name: Rachel Ekstrom

Currently Seeking: young adult, women’s fiction, mysteries, thrillers, and romance…

Query email: rachel.queries(at)irenegoodman(dot)com

Query Guidelines: Please check out irenegoodman.com  for current submission guidelines.

Also, check out Rachel’s twitter feed for all your agent stalking goodness @EkstromRachel

2. My friend Ruth L. Steven is hosting a FABULOUS agent judged contest on her blog!

The details:

You’ll need your query letter and the first five pages to enter. 10 winners will be chosen by Ruth to advance to the agents. (Please note, your manuscript MUST be complete.)

RULES:

1. This is open to all fiction genres of YA and MG.

2. The contest itself will run on the 18th April. The submission window is 9am – 5pm EST.

3. In that window, you’ll need to send your query letter and the first five pages of the ms in the body of the email. The address to send to is lottiehumphries14@yahoo.co.uk

This competition is for Ruth’s followers, so you must be following her blog to enter.

For the FULL contest details and PRIZES click here.

Agents Judging the contest are Julia Churchill of Greenhouse Literary and Gemma Cooper of The Bright Literary Agency. (Contest is open to everyone.)

3. My agent is teaching a webinar TOMORROW! Wheeeeeeee!

The juicy details:

I already touched on this last week, but there are only a few spots left for people to attend. IT’S SO GOOD, GUYS.

WHAT YOU’LL LEARN:

The essential elements of each subgenre within thriller/mystery in adult and young adult

Writing that “killer” query—one that reveals “the hook, the book, and the cook”

The components of a compelling hook within your book

Common themes and trends seen in successful crime books

How a familiar idea can still be unique—i.e., how to distinguish your own work from similar stories flooding the marketplace

The opportunities in both e-book and traditional publishing for thriller and mystery

WHO SHOULD ATTEND?

Writers who are actively querying agents and publishers in both adult and YA

Writers who feel they are hearing similar themes in rejection letters

Writers in the initial stages of writing who need to nail down what subgenre they are writing in and who would be most interested in their submission

Writers who will be pitching their concept at a conference

Writers who write for adults but are thinking of trying a YA novel in the mystery/thriller genre

To sign up CLICK HERE.

4. One of my best writing pals, Anita Grace Howard revealed her debut’s cover!!!!

It’s SO freaking awesome – have you seen it yet?! If not, here it is: SPLINTERED’s Cover Reveal (video)

SOOOOO PRETTY *pets screen*

Ahem. Back to the point… Anita is doing a HUGE giveaway on her blog to celebrate SPLINTERED’S amazing cover! There will be not one, or two, or even five, but TWELVE lucky winners!!!!!! SQUEEE!!!!

Get over to her blog immediately and enter as the contest is ending promptly at midnight on Friday. (THIS Friday, LIKE TWO DAYS FROM NOW Friday.)

CLICK HERE TO CHECK OUT THE PRIZES AND ENTER THE CONTEST

Attn Writers: My agent is doing a webinar!

Hey writer friends I’ve got something for YOUUUU! My agent is doing another Writers Digest Webinar (From Cozy to Carnage: An Agent Explains the Ins and Outs of Thriller/Mystery Writing–For Both the Adult and YA Markets) on Thursday April 12th.

Are you squinting at your screen wondering why you should be interested in this? If you’re nodding your head, here’s my answer: I attended the last one in November and ended up signing with Barbara on my next project. WOO HOO! I’m walking proof that these things work – it opened up the doors for our communication. Not to mention, the query letter and first page critique that came with the webinar were AWESOME.

Some of what Barbara pointed out helped me while crafting my next novel. She’s got SERIOUS superpowers with identifying areas that you can improve in your manuscripts and queries. ALSO you might be one of three people asked to submit sample chapters OR a full manuscript based on your first page. Not too shabby.

Are you thinking I really WANT to BUT I’m working when the webinar is going on… FEAR NOT! You don’t have to attend the live event! You just have to register, then watch it at your leisure. After work, over the weekend, three o’clock in the morning – it’s all good.

If you’re looking to take your writing to the next level and make an agent connection, then this is the perfect thing for you. Who knows? Maybe we’ll be agent mates…that would be pretty freaking cool. 🙂

For those interested here are the details taken directly from WD:

ABOUT THE QUERY AND FIRST PAGE CRITIQUE

All registrants are invited to submit their query (one page) and the first full page (double-spaced) of their work. All entrants will receive a critique from instructor Barbara Poelle. If you choose to submit your work prior to the live webinar, you could be one of three entrants who are asked to submit three chapters or a full manuscript based on the first page during the webinar itself in order to show what captured Barbara’s attention and why.

This webinar is an exploration and discussion of the earmarks of each subgenre within the thriller/mystery world, including cozy, suspense, crime, and thriller, as well as the type of query and introduction that can capture the eye in this crowded field. The webinar will discuss tips on not only how to write a compelling story, but also how to pitch one to agents and editors.

Instructor Barbara Poelle has numerous national and international bestselling authors on her client list throughout all of the thriller/mystery subgenres (full list below) and loves to break down what truly makes something “thrilling” to read. She will explore titles and examples of each subgenre within the thriller world and walk writers through the process of captivating both a publisher and an audience.

INSTRUCTOR

Literary agent Barbara Poelle began her publishing career as a freelance copywriter and editor before joining the Irene Goodman Agency in 2007, but feels as if she truly prepared for the industry during her brief stint as a stand-up comic in Los Angeles. She has found success placing thrillers, literary suspense, historical romances, humorous/platform driven nonfiction, and upmarket fiction and young adult and is actively seeking her next great client in those genres, but is passionate about anything with a unique voice. Barbara has a very hands-on approach with the craft and editorial details of the books she represents, and loves working with her clients to take their writing to the next level.

Books within these genres Barbara sold within the last year include: BLIND FAITH by New York Times best-selling author CJ Lyons; THE EDEN PROPHECY by international bestseller Graham Brown; the Bad Day crime novel series (such as A BAD DAY FOR SORRY), by Sophie Littlefield, which have become national bestsellers short-listed for the Edgar, the Anthony, the Barry, and many other awards; THE NINTH DAY, by international bestseller Jamie Freveletti; and STARTERS, by Lissa Price, a major deal for a new YA series to be published by Random House in 2012.

*Please note this webinar is for both Adult and YA manuscripts. My book is a YA genre mashup (science fiction/thriller), so if yours isn’t a straight thriller or mystery but has those elements, don’t hesitate to sign up.

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